Without shame, he once again name-checks Faith Evans, thanking her for her greatest weapon (“her low self-esteem” and “beat up p-y”). Biggie, Diddy, Little Shawn (the artist he was supposed to be recording a record with the night he was shot in 1994) and Jimmy Henchman for remaining “silent while quietly conspiring on my downfall.” The notes read like a manifesto of a man’s dying proclamation, so obsessed and hell-bent on revenge while unknowingly serving as a pawn in Suge Knight and Death Row’s endgame of a bicoastal war with Puffy and Bad Boy Records. Walter “King Tut” Johnson for pulling the trigger. Jacques “Haitian Jack” Agnant for making the call for the Quad shooting. In the short statement, Shakur blasts a multitude of people for a multitude of reasons. And much like several Shakur artifacts ( his letter to Madonna, the BMW he was murdered in, etc.), an original transcript of Shakur’s thoughts has hit the auction market. Until now, the album’s original liner notes had never been released. Killuminati took direct aim at foes he believed wronged him - in the 1994 Quad Studios shooting attempt on his life and the sexual assault trial that landed him in a New York maximum security prison for much of 1995. Released under the alias “Makaveli,” while lyrically sharp and poetically introspective in pockets, the project followed suit with the themes that defined Shakur’s most successful, most complex and final year. Less than a month before his murder in Las Vegas, ‘Pac famously recorded the final album of his life (not career), The Don Killuminati: The 7 Day Theory, within a week in August 1996. 11:24 AM A previously unreleased manuscript further reveals the depths of rancor Tupac Shakur lived with in his final days.

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